A mural by the celebrated Indian artist M F Husain, located at the headquarters of the Life Insurance Corporation of India (LIC) in Mumbai, is facing a situation of neglect, raising concerns among art enthusiasts and cultural observers. The artwork, which depicts a female musician, is displayed on the wall of the Yogakshema Building at Nariman Point, directly opposite the security screening area. While Husain’s creations are internationally recognized, this particular mural seems to have been overlooked, quietly collecting dust as visitors and employees pass by.
The mural’s location, near the metal detectors and the main lobby of the east wing, means that it is often seen only in passing. Most employees and visitors do not linger to appreciate the artistic details, while the artwork itself receives minimal maintenance or cleaning. Critics argue that such neglect diminishes the visibility and significance of Husain’s work, which is considered a landmark in modern Indian art.
Art historians point out that M F Husain, often called the “Picasso of India,” created works that combine traditional Indian motifs with modernist techniques. His murals and paintings, spanning decades of prolific work, are celebrated for their bold colors, dynamic compositions, and cultural symbolism. The mural at LIC HQ, depicting a female musician, reflects Husain’s fascination with Indian classical music and performance arts, making it not only a piece of decorative art but also a cultural artifact of historical value.
Despite its significance, the mural’s current condition highlights broader issues in the preservation of art in public and corporate spaces. While LIC has long been a patron of the arts, ensuring the protection and visibility of such works appears to have been overlooked in the hustle of daily administrative operations. Cultural activists have called on LIC authorities to take steps to properly maintain the mural, including regular cleaning, restoration if necessary, and enhancing its visibility through better lighting and informational plaques.
Experts emphasize that public access and appreciation are crucial for artworks in institutional settings. Husain’s mural at LIC HQ has the potential to educate and inspire viewers, but this can only happen if the artwork is preserved and promoted as a significant cultural asset. Preservation efforts would also align with LIC’s legacy as a long-time supporter of Indian art and artists.
In conclusion, while M F Husain’s mural continues to occupy a prominent wall in LIC’s Nariman Point building, it faces a quiet fate of neglect. Advocates for the arts urge that immediate measures be taken to safeguard and highlight the mural, ensuring that the work of one of India’s most iconic artists continues to enrich the cultural experience of employees, visitors, and the broader public. Proper attention to the mural would not only preserve Husain’s artistic legacy but also reinforce LIC’s role in promoting Indian art and heritage.
